1. notes

    2 months ago

    
Frida Kahlo by Nickolas Muray, 1940. 

***************
This woman.  This is the kind of chick I could always relate to, and I relate to now.  Because I too have the tendency to wake up in the “morning”, look at myself in the mirror, and think You know, what my head really needs is two gigantic flowers.  With the leaves still intact.  I mean, you have to do your hair up anyhow, right?  Why be boring?  Why be half assed?
When I first discovered Frida I was about six years old, and taking the first of a series of art classes at East L.A. College, where they offered all kinds of cool stuff for children.  I took all kinds of art classes.  But anyway, as you walked into the quad area, there was (still there?  gone?)  a huge mural painted on one of the walls, and there was an image of, as I liked to call her, “the lady with the eyebrow”.  I loved the eyebrow.  I loved the mustache.  I loved the hair, and the clothes, and the jewelry, and above all her totally laissez faire relationship with all of it.  I couldn’t understand why, once you grow up, you got boring.
Why, the minute you have the power to dress yourself, to identify yourself however you want, the minute you have the power to go out there and buy the clothing you actually really want, why the HELL do you abandon your true persona, and start looking the fuck like everyone else?
Inquiring minds wanted to know.  From an early age.  I found out that eyebrow lady’s name was Frida Kahlo, and she was, awesomely, an artist.  I found out that, even more awesomely, one of her favorite subjects to paint was HERSELF.  I thought what is this?  A woman who grew up and did whatever the hell she wanted and put on whatever clothes she wanted and became a painter?  And then PAINTED PICTURES OF HERSELF?????  I was flabbergasted, and happy.  I was all like Yay!  There is a tiny little space for someone like me in the world after all!
Now, keep in mind, I was very little when I came to these romantic conclusions.  I didn’t know about Frida’s struggles with her health and injuries, or the sadness of her romantic life.  I didn’t know that women weren’t usually painters, or rather that women’s art was not going to be displayed anywhere in the museums I habitually came to haunt.  I didn’t know that Frida has been dissed for painting her own image so often.  I didn’t know that there was no space for me in this world, in fact, and that Frida barely had a space in this world— what space she attained was largely based on her place and time of birth, and to some extent her husband, who might have been a faithless bastard, but he knew good art when he saw it, and wasn’t threatened by it either.
But in spite of all of that, Frida Kahlo has stayed an important role model for me, as an artist certainly, as a person, as a self-realized woman, who was far from perfect, and who struggled, and who died far too young, but nonetheless.  That eyebrow lady was and is one stone fox, and damnit, her very clothing has become a valuable archive of needlework and traditional indigenous dress, and that is something I’m sure she would be very happy about.
I know I am.
So, since the ladies get One Fucking Day, in honor of International Woman’s Day, viva Frida.  She is a big part of who I am.

    Frida Kahlo by Nickolas Muray, 1940. 

    ***************

    This woman.  This is the kind of chick I could always relate to, and I relate to now.  Because I too have the tendency to wake up in the “morning”, look at myself in the mirror, and think You know, what my head really needs is two gigantic flowers.  With the leaves still intact.  I mean, you have to do your hair up anyhow, right?  Why be boring?  Why be half assed?

    When I first discovered Frida I was about six years old, and taking the first of a series of art classes at East L.A. College, where they offered all kinds of cool stuff for children.  I took all kinds of art classes.  But anyway, as you walked into the quad area, there was (still there?  gone?)  a huge mural painted on one of the walls, and there was an image of, as I liked to call her, “the lady with the eyebrow”.  I loved the eyebrow.  I loved the mustache.  I loved the hair, and the clothes, and the jewelry, and above all her totally laissez faire relationship with all of it.  I couldn’t understand why, once you grow up, you got boring.

    Why, the minute you have the power to dress yourself, to identify yourself however you want, the minute you have the power to go out there and buy the clothing you actually really want, why the HELL do you abandon your true persona, and start looking the fuck like everyone else?

    Inquiring minds wanted to know.  From an early age.  I found out that eyebrow lady’s name was Frida Kahlo, and she was, awesomely, an artist.  I found out that, even more awesomely, one of her favorite subjects to paint was HERSELF.  I thought what is this?  A woman who grew up and did whatever the hell she wanted and put on whatever clothes she wanted and became a painter?  And then PAINTED PICTURES OF HERSELF?????  I was flabbergasted, and happy.  I was all like Yay!  There is a tiny little space for someone like me in the world after all!

    Now, keep in mind, I was very little when I came to these romantic conclusions.  I didn’t know about Frida’s struggles with her health and injuries, or the sadness of her romantic life.  I didn’t know that women weren’t usually painters, or rather that women’s art was not going to be displayed anywhere in the museums I habitually came to haunt.  I didn’t know that Frida has been dissed for painting her own image so often.  I didn’t know that there was no space for me in this world, in fact, and that Frida barely had a space in this world— what space she attained was largely based on her place and time of birth, and to some extent her husband, who might have been a faithless bastard, but he knew good art when he saw it, and wasn’t threatened by it either.

    But in spite of all of that, Frida Kahlo has stayed an important role model for me, as an artist certainly, as a person, as a self-realized woman, who was far from perfect, and who struggled, and who died far too young, but nonetheless.  That eyebrow lady was and is one stone fox, and damnit, her very clothing has become a valuable archive of needlework and traditional indigenous dress, and that is something I’m sure she would be very happy about.

    I know I am.

    So, since the ladies get One Fucking Day, in honor of International Woman’s Day, viva Frida.  She is a big part of who I am.

    (Source: theyroaredvintage, via eyeandclaw)

    frida kahlo

    art

    feminism

    personal

  2. notes

    2 months ago

    renadamsart:

Laying out prints to choose pieces for a portfolio. A lot of my work uses negative space in important ways, Especially to represent the possibility of non-matter. There is a Taoist story which says the uncarved block harbors more possibilities than a carved, defined shape. And uncarved piece of wood can become a spoon or fork, a table, a bookend, a bowl—anything at all.

*********
I think this is why I like having a nice stock of supplies around me even more than I like using them, until I start using them, and then I immediately start planning how to acquire more supplies.
There’s an element of both insecurity, an appreciation of potential, a sense that the results will never be as awesome as the potential, and a feeling of being embodied, myself personally, AS potential rather than results (ie I am not a success in my life/work/etc.), that this explains a few things.
I find this art blog very inspiring— you should follow it.  Works in progress, and various mediums and processes are really neat.  I don’t work in most of these mediums but I find it amazing.  (PS— shoutout to the Swimmies of Doom for turning me on to this tumblr!)

    renadamsart:

    Laying out prints to choose pieces for a portfolio. A lot of my work uses negative space in important ways, Especially to represent the possibility of non-matter. There is a Taoist story which says the uncarved block harbors more possibilities than a carved, defined shape. And uncarved piece of wood can become a spoon or fork, a table, a bookend, a bowl—anything at all.


    *********

    I think this is why I like having a nice stock of supplies around me even more than I like using them, until I start using them, and then I immediately start planning how to acquire more supplies.

    There’s an element of both insecurity, an appreciation of potential, a sense that the results will never be as awesome as the potential, and a feeling of being embodied, myself personally, AS potential rather than results (ie I am not a success in my life/work/etc.), that this explains a few things.

    I find this art blog very inspiring— you should follow it.  Works in progress, and various mediums and processes are really neat.  I don’t work in most of these mediums but I find it amazing.  (PS— shoutout to the Swimmies of Doom for turning me on to this tumblr!)

    ren addams

    art

    artists on tumblr

  3. notes

    2 months ago

    hyperallergic:

Stephen Watson, “Devout” (2013), paper, fishing line, and scotch tape

***************
This is what my book manuscript looks like in my dreams.
Only usually it is all marching towards me while Pink Floyd’s “Just Another Brick In the Wall” is playing in the background.
 

    hyperallergic:

    Stephen Watson, “Devout” (2013), paper, fishing line, and scotch tape

    ***************

    This is what my book manuscript looks like in my dreams.

    Only usually it is all marching towards me while Pink Floyd’s “Just Another Brick In the Wall” is playing in the background.


     

    writing

    dreams

    art

  4. 3 months ago

    Craft

    Aaaaand I’m over 230,000 words at the moment, forget the actual total, and I took a few days for some editing.  There will obviously be more of that— I believe firmly in writing until I feel done, and then going back and taking stuff out and fixing things, and THEN doing the very serious editing, ie stuff other people find boring, but I don’t, because the craft of writing appeals to me almost as much as the art of writing.

    There’s been a tendency among people who make things to diss “crafts” as in “oh, you aren’t really an artist, it’s just a craft”, or “I’m not really an artist, I’m just a crafter.”  (It works both ways— the self deprecation thing is really fucking old, ladies.  And it’s almost invariably Ladies, not Gents, who say this kind of crap.  Men, for some reason, have no problem being, I don’t know, Craftsmen.  Why is that?  Hmm.)

    But Craft is a wonderful word and an important one, and crafting or being crafty (in all senses of the term) is a great thing to do and to be.  You can extrapolate this idea outwards into the spiritual realm:  Witchcraft, for example, differs wildly from the currently popular pop-culture view that you are “born” a witch, or that a witch is some magical creature, spontaneously formed.  Actually, no.  You have to work at it.  If I have a beef with the movie, erroneously perhaps titled “The Craft”, it’s the fact that the malevolent Bad Witch is shown working very hard at her craft and becoming good at it, whereas the “natural, born, didn’t have to work at it because she’s somehow more authentic” Good Witch is shown, you know, not having to do shit.  (For the record, I have a lot of beefs with that movie, but that was a major one for me, and I had to discuss it with a lot of young teenage girls who came into the bookstore I was working in right around the time the movie came out.  But that’s not the point of this particular blog post.)

    Writing, without a doubt, requires the art.  But the craft is where all the good stuff comes from, all the power, all the skill, and it is the thing that separates the good writer from the bad writer.  Technical skill, which is learned and practiced.  You may be gifted, and you may be a natural, but technique is learned and honed.  And no one else can do it for you.

    I reject outright the notion that to be a good writer you have to be humble and listen to what others say about you.  I think to be good you have to be stubborn and work hard.  You have to be willing to sit there all by yourself and put in the time and energy, and then you have to have enough self respect and perhaps ego to defend your work against all of those who will want to change it and change you.  In the end, if you’re good, YOU do all the work.  No one else does.  They just want to profit off of your labor.  But that’s also a digression, one for another time.  NPR has been trying to drive me to suicide with their stories about the modern “publishing” industry, and I might get back to that here at some point.  But not now.

    Now I’m just advocating for an embracing of the word and the ideology of Craft.

    writing

    art

    craft

    why you no like me NPR?

  5. notes

    4 months ago

  6. notes

    4 months ago

    Well, I joined Meylah/Handmadeology today.  I need to give a lot of consideration to my methods, however, because I am not going to make the mistake I made in years past, that of spending so much time on the computer trying to promote things that I stopped actually MAKING things, which has the effect of, first, totally depleting your stock, and, second, making your online shop look very stale, and, third, is fucking DEPRESSING.

    I’m comfortable online, but only to an extent.  I don’t have a high tolerance for frivolous goings-ons online.  I’m mystified by the vast numbers of people, particularly on Tumblr, who spend all kinds of times reblogging and creating and posting what are, essentially, free advertisements for movies, TV shows, and fashion no one can afford and only about 1% of us could fit into.  The movie stuff in particular is just mindblowingly repetitious.

    And no.  No, you’re not actually in pain because of a GIF set about Les Mis.

    And no, none of you are actually “DONE” with whatever you are pretending to be so done with.  Because, come tomorrow, I’ll be back here, and there you’ll be, plugging for the exact same show.

    Also, none of you are Dead.  Yet.  Oh, you will be, we all will, but right now, no.

    But I digress.  So, getting back to Meylah, and having to make decisions about Zibbet, and generally gazing into the empty socket that is my website, I’m not sure where I’m going with this.  I did okay a few years back, but the internet has not changed for the better, and with the monetization of search, well, it’s a PITA.  I’ll have to see what I can do on this go-round, and if it doesn’t work out I’ll have to take another route in the real world.  Such as that is right now.

    Meanwhile I’ll just continue on with the important art, ie, The Book.  I did some editing last night and wrote about 1,500 words, AND also finally learned the tubular even count peyote stitch.  And the music on the radio (yes, I am old school) was bitchin.  All and all, a productive evening, and I plan to ditch Tumblr now and go back to it.

    muddlings

    musings

    teeny bit writing

    art

    meylah

    handmadeology

    death

  7. notes

    11 months ago

  8. notes

    11 months ago

    swimmiesofdoom:

gabcollab:

“The Amorphous Clawed Beast” (Sharpie and Prismacolor pencil)
O cry me a river
cry me a stream
the amorphous clawed beast
doesn’t know what he means
but something is sad
something is weeping
both up on the land
and immersed here sleeping.
by NamakoStudios.tumblr.com

*********
here you are, piroFriend!
everyone should go check out the gabcollab on tumblr!  gabbyFriend makes an amazing blob every week, and posts it for other artists to draw or paint or whatever they like!  you can too!  go look!

*********
thanks, fishies!

    swimmiesofdoom:

    gabcollab:

    “The Amorphous Clawed Beast” (Sharpie and Prismacolor pencil)

    O cry me a river

    cry me a stream

    the amorphous clawed beast

    doesn’t know what he means

    but something is sad

    something is weeping

    both up on the land

    and immersed here sleeping.

    by NamakoStudios.tumblr.com


    *********

    here you are, piroFriend!

    everyone should go check out the gabcollab on tumblr!  gabbyFriend makes an amazing blob every week, and posts it for other artists to draw or paint or whatever they like!  you can too!  go look!

    *********

    thanks, fishies!

    namakostudios

    gabcollab

    artists on tumblr

    art

    submission

  9. notes

    1 year ago

    swimmiesofdoom:

gabcollab:

“Thumbelina Washes Her Hair”
(Prismacolor pencil on paper with The Blob of the Week)
My rule was only the pencils that happened to be in my top desk drawer could be used.  I was surprised at how many pencils have found their way into my top desk drawer.
namakostudios.tumblr.com

*********
reblogging both for our piroFriend, and also because everyone should go to the gabcollab tumblr and try out this cool art project!  yay!

    swimmiesofdoom:

    gabcollab:

    “Thumbelina Washes Her Hair”

    (Prismacolor pencil on paper with The Blob of the Week)

    My rule was only the pencils that happened to be in my top desk drawer could be used.  I was surprised at how many pencils have found their way into my top desk drawer.

    namakostudios.tumblr.com


    *********

    reblogging both for our piroFriend, and also because everyone should go to the gabcollab tumblr and try out this cool art project!  yay!

    gabcollab

    art

    thanks fishies!

    submission

  10. notes

    1 year ago

    Apparently I’m going to have to get someone I follow to reblog the gabcollab art blobs so I can post my contributions to my own tumblr.  Which is weird.  But okay.

    gabcollab

    art